无归客

　　布兰迪（罗斯•林奇 Ross Lynch 饰）和麦肯齐（玛雅•米切尔 Maia Mitchell 饰）是一对非常恩爱的小情侣，他们有着共同的爱好——冲浪，这让两人之间的感情亲上加亲。麦肯齐自幼失去了父母，由姨妈抚养长大，麦肯齐的母亲一直希望自己的女儿能够成长为一名真正的淑女，所以姨妈决定将麦肯齐送往寄宿制的贵族学校里去上学，这也就意味着，她和布兰迪将要分居两地。
　　在临走之前，麦肯齐和布兰迪约定来一次最后的冲浪，哪知道遭遇了风暴，这场古怪的风暴竟然令两人穿越到了一部发生在上世纪六十年代的歌舞电影中，在那里，他们被卷入了冲浪党和摩托帮之间的矛盾中。

　　西丽·娜沙特的第一部长片是改编自伊朗作家莎纳许·帕西普尔的魔幻写实小说，小说在1989年被禁。影片讲述1953年夏天四名伊朗妇女的生命奇遇，那一年美国中情局颠覆了伊朗政府，民众支持的摩萨台政府被推翻，国王重新获得权力。电影侧重于表现每个女人的追求变化和神秘相遇，鼓励女性与社会禁忌抗争，讴歌自由。

　　"Miss, what's that?" the kid asked the stewardess, pointing to a small crack that he noticed in celing above him. At that point, the crack widens and the entire roof of the airplane is ripped off. Based on a true story.
　　On April 28, 1988, Aloha Airlines flight 243, halfway between Big Island and Maui, suddenly lost an 18-foot section of its front fuselage, due to metal fatigue. At 24,000 feet of altitude, the sudden decompression leaves room for panic in the cabin. But in the flight deck, Captain Schornstheimer and First Officer Tompkins are faced with the difficult task of safely landing the crippled, barely-controllable airliner, as the title says.

 When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost. 源自：https://www.mardelplatafilmfest.com/38/en/pelicula/deus-irae

　　20XX年，日本突发强烈大地震，随之而来的海啸和核泄漏引发不次于东日本大地震时的危机。日本长岛县某座小镇，从事奶酪畜牧业的小野泰彦（夏八木勋 饰）原本和老伴智惠子（大谷直子 饰）、儿子洋一（村上淳 饰）、儿媳妇泉（神乐坂惠 饰）过着平静祥和的日子。大地震勾起了他对原爆的记忆，也激发了对政府的不信任感。未过多久，小野家的邻居们因处在核电站半径20公里内而被迫撤离，小野家则被留在原地不动。为保护孩子，小野命令儿子离开此地，自己则固守这片故土。在此期间，有的人在寻找失踪的父母，有的患上核辐射恐惧症，人们的心理承受莫大的压力。
　　事态丝毫没有好转的迹象，小野一家即将迎来决断的时刻……

五上族的顶尖猎人深入神秘老山，遭遇神秘生物袭击，仅幸存者“蛇爷”带出骇人真相——袭击他们的竟是人身蛇尾的怪物。山中自古流传着“蛇女”的诡异传说，难道它真的存在？蛇爷联手守山人陈树率精锐雇佣兵再度进山。然而随着调查深入，一段血腥残酷的禁忌真相逐渐浮现。这场猎杀，究竟谁才是猎物？

 洛杉矶一名年轻黑客被引诱盗取一名毫无戒心的女子的银行账户。

本片讲述了秀才方栋因为贪图美色危及生命，他善良的丫因为深爱着方栋选择牺牲自我换回方栋。浪子回头的方栋踏上寻回真爱的旅程，并在路上偶遇并救了被压迫的善良女妖，在捉妖师等人帮助下，最终有情人终成眷属的凄美爱情故事。

　　女孩住在英国肯特郡的闲置空屋里，同父异母的哥哥与友人成日寻仇滋事，热恋中的年轻父亲则忙着筹钱准备婚礼，十二岁的她已经懂得照顾自己。路边海鸥漫步、窗外乌鸦展翅、群鸟翱翔天际；这些手机记录下的渺小幸福，让她短暂逃离困厄现实。从没有人想理解她，直到有天，她遇见流浪的「鸟」，一个穿着长裙、有着奇怪名字、喜欢站在天台，总是面露微笑，善良而孤独的男子。英国导演安德莉亚阿诺德将视角转向家乡肯特郡的边缘族群。饱受粗暴对待与长期忽视，种种失能家庭的日常尽管已支离破碎，导演的镜头却不带批判，反而在绝境之中捕捉到丰沛的情感光芒，并于写实笔触间点缀魔幻元素。除有贝瑞柯根、法兰兹罗戈斯基星光加持，透过十二岁素人演员妮基雅亚当斯刚柔并济的细腻诠释，成功传递女孩无须言明的苦痛，尤其令人惊艳。

　　大学讲师肖任远回乡参加葬礼，路上偶遇前往十二盘村精准扶贫的公务员冷春华。在扶贫工作组的感召下，m.77mi.cc传统思维的长贵转变思想，调整结构，科技创新，和贫困户一起打好脱贫攻坚战。同时在春华的帮助下父子间解开心结。

　　Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.

　　“盒子隐喻”是一个引人注目的反乌托邦之旅，不公正的监禁揭示了社会的一致性和反抗的深刻影响。这是关于打破隐喻的盒子和人类精神的韧性。